Works

Chamber Music

Quantum Field (2025)
Saxophone, percussion and electronic tape
5 min

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This piece is inspired by the existence of the Higgs field, that invisible field which permeates the entire universe. Unlike the classical idea of the void as absence, modern physics reveals that the void is instead filled with fluctuations, fields, and energy: the void is not empty.

In Quantum Field, I explore this densification of space, this invisible matter that structures our reality. Through instrumental textures and electronic sounds, I aim to make this immaterial presence perceptible. The unusual sonorities I created in the electronic tape invite the listener to enter a world beyond our own—the realm of the infinitely small.

The first part of the piece focuses on timbre, while the second is more rhythmic. This work is less a narration than an immersion.

Vestiges (2024)
Flute and piano
12 min

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The idea for this piece came to me while contemplating prints. These colorful depictions of landscapes, figures, or moments in life seem to capture an instant: the image conveys a faint memory, a vestige of a greater, richer reality.

Like a loose canvas, the piece explores what remains when everything has been forgotten. It opens with Nuées, slowly emerging from the low register before reaching Pensée 1 and Pensée 2. At the center, the movement Colibri offers a clear, radiant moment.

These vestiges speak to each listener differently. For some, they may be remnants of a past journey. For others, the echo of a feeling once experienced, of which only fragments remain…

I – Nuées
II – Pensée 1, à l’abri d’un orme (sheltered by an elm)
III – Colibri
IV – Pensée 2, à l’aura d’une lanterne (in the aura of a lantern)

Three Scenes After a Surreal Landscape (2023)
Flute, clarinet, viola and piano
26 min

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This piece unfolds as a sonic triptych inspired by a landscape reshaped by surreal imagination. It does not aim to describe, but rather to evoke fragmentary sensations, drifting images, like visions arising from a dream. The titles of the three movements themselves form an incomplete, enigmatic sentence, opening a perceptual space without fixed points of reference.

Each movement is a fragment, perceived or hallucinated, of an unreal landscape—a scene without place or time, suspended between presence and disappearance.

I – Brume parme dans l’ennui de la plaine… (Parma mist in the weariness of the plain…)
II – …des méduses, des lunes, des halos… (…jellyfish, moons, halos…)
III – …et luit comme du sable, reflet d’un ciel de cuivre rougeoyant. (…and gleams like sand, reflection of a glowing copper sky.)

Two Movements for Marimba (2022)
Marimba
10 min

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This piece explores the transformation of nature. It traces a path between the silence of melting snow and the brilliance of blossoming.

The textures of the first movement are delicate, with restrained dynamics: one senses both the softness of the melting and the subtle tension of a landscape slowly awakening. The second movement takes its name from the shrub whose yellow flowers burst forth at the very beginning of spring, often even before the leaves appear. This sudden and radiant bloom is reflected here through a more rhythmic approach and vibrant harmonies.

I – L’eau qui descend des neiges (The Water Flowing from the Snow)
II – Forsythia

Sounds of Dawn (2021)
Violin and piano
8 min

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Following in the footsteps of early 20th-century Impressionists, this sonatina depicts the sensations evoked by the first light of day. From this introspection emerges a colorful dialogue between the violin and piano, unfolding in an arch-shaped form.

Vocal Music

The Mystic Ship (2025)
Soprano, clarinet and piano
7 min

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Based on a poem by Antonin Artaud:

The archaic ship will have been lost
To the seas where my desperate dreams will bathe,
And its immense masts will have merged
In the mists of a sky of Bible and Hymns.

And it will not be the bucolic Greek
That gently plays among the bare trees;
And the Holy Ship will never have sold
The very rare goods to exotic lands.

It does not know the fires of the harbors of the earth,
It knows only God, and endlessly, alone
It separates the glorious waves from Infinity.

The tip of its bowsprit plunges into mystery;
At the points of its masts trembles every night
The mystical and pure Silver of the North Star.

Orchestral Music